07 June 2009
01:04PM   Oh. June na pala?

It hasn’t dawned on me that it’s finally June till I was walking home this morning to find, no, not traffic just yet, but sleepy kids in their school uniforms. And I was suddenly, oh, right. It’s June now.

Back maybe four or five years earlier, this would be my favorite season—it’s the time of the year when you go around sighing loudly for everyone to hear that omfg, it’s school time again; yet you’re secretly excited because it ends the yearly era (meron ba nun?) of your parents nagging you nonstop to clean the house or at least clean your damn room, since you’re on vacation anyway. That, or maybe the plain fact that as a lowly student dependent on your parents, it’s no baon = no gala, and summer isn’t exactly as fantastic as it really is till you’re working and you have all the money but no time to go around splurging it on vacays. I know my professors would differ if I would say I love school. Tardiness streak aside, I loved it. And I specifically loved college because La Salle Dasmarinas is nothing if not for trees and splendid amazing people.

So walking around with these kids lamenting their late night tv marathons and cursing the alarm clock, I was forced into nostalgia by my jealousy—not the uniforms, no, definitely not; but by the exciting things awaiting them when they get to school. They say you never really learn till you’re out in the real world, but you’ll never understand how powerful the four walls of a classroom can be because it somehow shaped the idealism that would mold you into how you would further learn from the real world. Whilst the real world can be rough, the walls teach you that you’re the best and, plainly, YOU CAN. And if you hang on to your ideals long enough, you just might go through the real world thinking you indeed are the best.

When I got home, I popped in one of my old CDs and browsed through some of the pictures. Amusingly—baby faced grins aside—we all looked mayabang. Not the same yabang that we all have that’s clearly made by the salary and position, but the yabang with idealism fresh from college. The yabang that “we’re equipped, and we’re here to change the world.” Grabe, I miss that uncorrupted pride. Haha.

Ikaw, do you miss school?

More pictures here: http://www.facebook.com/album.php?aid=118285&id=656793975&l=e7ac4237b4






03 June 2009

So Cha was asking why I don’t smile in pictures. I think it was a little too evident–or at least more so earlier–when after posting a series of images on the net for sharing (Facebook) and I got to reviewing them that I realized,  I was serious in most of them. If not, I was simply not smiling.

See, the problem with that is, personally, or even through email or sms, I’m generally a bungisngis person. Giggle around, mock around, kulit around and virtually your all around grin whore. Save for the past weeks that I was on 110 v (low batt, ika nga), I’m usually into the whole smiling thing.

But see, I’m vain. I’m very vain. I take so freakin many images and choose only which ones to post, and sadly, I feel I’m cuter when I look serious. Cute, being the operative word, of course. Till I start doing Miss Universe poses, I’m staying with that term. Vanity hasn’t permitted me to smile yet. Manager ko siya, eh, and a very demanding manager at that.

And then, I remember how Ger told me before about taking pictures of me–I was too multi-faceted, that, if a picture would be taken, it wouldn’t really encompass the whole JC idea. It’s a side, yes, but sadly, not a side she prefers. She likes me jolly. I like me serious. Curiously, life wise, we prefer the opposites. I wonder if these choices then simply mirror what we lack–if not forget– in our lives? (Wait, I lack seriousness? Oh. Come. Fucking. On!) But see, that’s the funny thing: this is how I project myself. If I know myself to be not this serious on the actuality, why would I feel the need for another facet like this?

Ikaw, baka kilala mo ako. What do you think?






03:24AM   Chii…

…why didjoo delete your Facebook account?!






15 May 2009

High altitude rest. Meron bang pupunta sa Baguio today? Stacy!!! Magkakaabutan ba tayo jan?? :p






13 May 2009
01:54PM   Johann and Liv

Something that’s meant to be a part of this compilation of other short write-ups na new beginnings kuno. Di pa tapos. Forgive the grammar. :p

-.-


They say the best inspirations come from those which were either very hungry, or very much in desperation. Johann is currently neither, but maybe being absolutely bored can do the trick.

She has been sitting in the gallery since 3:30pm. The secretary said your father is currently in a call right now, would you be willing to wait for a few minutes? And she had to force a nod, but she knew it meant much much longer than that. Her father happens to be a rather influential person in the media business; a downright art snob, honestly. And she has lived long enough to know that by heart, and probably till her last artistic breath, and she knew that this hell she has been experiencing in the university is nothing compared to how she’s gonna be treated in the real world the moment people would hear her name. It’s a curse, it’s a sweet, sweet curse that she’d rather exploit than to burden herself with. It would come soon, but why not use the privilege for now?

She tapped her foot impatiently. It didn’t help, of course, but she felt she placed a very small sympathetic smile on the face of her father’s secretary who happened to just enter the gallery again for the third time today.

He won’t make it?

He can, but for a few more minutes, maybe.

Hours.

He’s very hopeful.

Yeah, I’m sure he is.

They’re rather huge clients, Hanna, your father’s been anticipating this ever since.

Only her father’s secretary out of all the other younger people she knew called her Hanna. That was her father’s pet name to her, something which most of her father’s peers have adopted. She didn’t mind. But she wasn’t sure if she still didn’t mind waiting further.

Two hours, Sally. He could have just rescheduled.

I’m sorry. He was pretty optimistic a while ago.

She nodded. There was nothing else she could do.

I’ll go ahead.

I’m sorry.

Don’t be. See you around.

You take care.

She picked up her bag which has slid to the floors from the couch and walked out of the gallery. It was just about closing time, with barely some people left. This was her most favorite time of the gallery when she was younger. She would go around, feel like she owned all the artworks in display. Soon, she said, I’ll have my paintings up in there. Her father was exhilarated to find out she got in to a well known arts academy when she was in high school, and moved on to conquering the top university for the arts. She was her daddy’s little girl. She’s taking after him.

But that’s hardly how she would put it. Johann inherited her father’s stubbornness and wanted to set out on her own, but she never could. Every time there would come an endorsement to some curators for an exhibit, they would simply look at her surname, and she was in. And she didn’t like this. How could she, if they are expecting her father’s art in her hands? She was who she was, but painfully, she still wasn’t.

She took a left turn in the hallway towards a certain painting that she has always liked. She made it a point to visit it everytime, but she only does so when there were barely people around. It was one of her father’s older works, and in fact, the only work which her father has painted Johann. He never sold the painting, and she feels that it was simply meant for her. She went in to the empty square exhibit and with anticipation she looked for the painting, but found a different sight instead.

Standing in front of the painting was a young lady. Couldn’t have been twenty, she thought. She was simply standing there, thoughtfully gazing at the portrait in front of her. Almost in deep reverence.

Johann walked quietly, almost crept behind her. She still wasn’t budging. It intrigued her, how intense somehow she eyed the painting, but for a moment, Johann felt both annoyed and defensive, like the girl was extracting a secret she wasn’t supposed to know about. This was her painting. She liked people admiring, but not extracting.

She coughed a little, as a warning to her presence, but she still didn’t budge, almost completely oblivious. Johann took the time to observe, yet still a little apprehensive. She’s rather small, a brown haired petite girl with clean nails and fresh lip gloss; with only a plain white cotton shirt and a brown ridged skirt. Both her skimmers are standing closely together, and her hand in front of her, holding a tote bag. She seemed like a little school girl if not for her fierce eyes. Johann stood beside her gangly, noting her clothes in comparison–she simply wore an old white shirt, with plaid pants and white dirty sneakers. Her hair was bunched up with a rubber she saw in her studio, and her own brown sling bag dragged by her right hand. They seemed like the obvious contrast; she, the simple, preppy and clean; her, the dirty eye sore.

She was thinking if she would feign another cough, but the lady cut her off.

It’s very…striking, isn’t it?

Johann for a moment thought the girl was talking to the portrait, as her eyes never left the canvass. She answered uneasily, what do you mean?

The colors. The way it was curved, it was blended.

Johann looked at the painting. She knew it by heart, but there could be some undertones she didn’t notice before.

They’re mostly earth colors, really.

Yes, but those aren’t the only ways to gauge intensity.

Johann’s eyebrows creased. She stared at the girl for a long time. Suddenly, the latter perked up, and started running away from the painting.

Where are you going? Johann called after her.

Out.

Yeah, I think it’s evident, but where are you going?

She screamed a little this time: Out!

Johann was trapped between following or simply ignoring. She caved into her instincts.

She followed her.

Wait! Johann called, but the girl didn’t stop. She reached for her arm and they both stopped in the entrance doors of the art gallery.

What was that about? Johann asked in between breaths.

I had to run.

Why?

I had to get away from something too intense.

Yeah? What, the painting?

Yes.

Why?

Because I can’t focus on two intense subjects at the same time.
Johann looked at her, confused. She gazed back at her with olive eyes. She whispered.

Now I can focus on you.

And Johann smiled.